<p>On 2 January 1893, the black American abolitionist and reformer Frederick Douglass delivered a lecture on Haiti to an audience in Chicago. It was widely alleged, he reflected, that the Caribbean republic was riddled with “voodooism, fetishism, serpent worship and cannibalism”, and that “little children are fatted for slaughter and offered as sacrifices to their voodoo deities”. Such claims, Douglass declared, were false. He told his listeners that, while serving as US minister (effectively, ambassador) to Haiti between 1889 and 1891, he found no evidence of ritual sacrifice, despite diligent investigation.</p><p>By the time Douglass spoke in Chicago, the idea of Haitian ‘voodoo’ as a murderous cult was lodged in the American public consciousness. As he noted, the features of this myth would have been familiar to many. According to scores of white writers at the turn of the 20th century, ‘voodoo’ was an imported African religion devoted to the worship of Satan incarnated as a snake. ‘Voodoo’ ceremonies, it was claimed, consisted of frenzied dances, sexual orgies and the ritual sacrifice of animals or humans followed by the consumption of their bodies or blood. The priests and priestesses of this imaginary faith were said to be the real rulers of Haiti, holding all its citizens – from presidents to peasants – in the grip of terror.</p>
<img src="https://images.immediate.co.uk/production/volatile/sites/7/2025/12/GettyImages-556636225webready-f31fffd-e1765183494712.jpg" width="1500" height="1000" alt="A painting of a black man dressed in a suit with a small bow tie. He has short hair and a thick moustache" title="Ebenezer Bassett denounced claims that the black-led Caribbean nation was a hotbed of ‘voodoo’ cannibalism and human sacrifice (Image by Getty Images)" />
<p>In 1901, claims about Haitian ‘voodoo’ coalesced in a widely reprinted newspaper report on the “demoniacal orgies” of this purported “devil’s cult”. Supposedly reproducing the findings of the famous American geologist and traveller Robert Hill, the author of the piece claimed not only that “large numbers of young children are offered up annually in Haiti as sacrifices to the Great Yellow Snake” but also that “mothers frequently dedicate their infants at birth to this purpose”.</p><p>The article provoked an incredulous response from Ebenezer Bassett who, as US minister to Haiti between 1869 and 1877, was the first black American diplomat. Having lived there for more than a decade, and speaking fluent French, Bassett – like Douglass – could claim authority on the question of Haitian religion.</p><p>As Bassett knew, “the whole story about cannibalism in Haiti is no more than a myth which, like other myths, has gained credence by persistent repetition”. Casting doubt on the veracity of the report, he noted that Robert Hill had refuted the existence of Haitian cannibalism in his recent Caribbean travel narrative, and that the claims of the article were “in full accord with – it is better not to say that they are probably based upon – Sir Spenser St John’s book”.</p>
<img src="https://images.immediate.co.uk/production/volatile/sites/7/2025/12/GettyImages-152197629webready-4da9320-e1765183520674.jpg" width="1500" height="1000" alt="Two stone figures, tied together by a metal chain around their necks" title="Chained bocio (protective figures) of the Vodun religion of the Fon people of southern Benin. The chains are symbolic both of slavery and of Gu, the vodu (spirit) of iron and war (Image by Getty Images)" />
<h3 id="lurid-inventions-79475691">Lurid inventions</h3><p>Spenser St John was a British diplomat and former chargé d’affaires in Haiti, and the book in question was <em>Hayti, or, The Black Republic</em>. First published in 1884, it made a deep impression on US journalism, providing the blueprint for a plethora of articles that, though claiming originality, did little more than summarise, in increasingly lurid terms, its lengthy chapter on “Vaudoux Worship and Cannibalism”.</p><p>Up to this point, I have placed ‘voodoo’ in quotation marks, not only to suggest that it was a figment of white imaginations but also to differentiate it from Vodou, the African-derived religion genuinely practised by Haitians. Much of this religion can be traced to west and west-central Africa. It contains elements of the religions practised during the era of slavery by the Aja and Fon peoples of the Bight of Benin (vodu is the Fon word for spirit), as well as of others from the kingdom of Kongo.</p><ul><li><strong>Read more | <a href="https://www.historyextra.com/period/victorian/frederick-douglass-escape-from-enslavement/">Frederick Douglass escaped enslavement in 1838 – but here’s why he was still far from true freedom</a></strong></li></ul><p>However, Vodou was not, as 19th-century white commentators claimed, a direct African import. It was a product of the New World melting pot – a dynamic blend of the religions of enslaved Africans and the Christianity of their European enslavers. In this respect, Vodou has much in common with other black diasporic religions including Cuban Santería, Brazilian Candomblé and Jamaican Obeah. Like those, Vodou helped people of African origin survive the brutality of Atlantic slavery.</p>
<img src="https://images.immediate.co.uk/production/volatile/sites/7/2025/12/GettyImages-81058804webready-eda7ee9-e1765183598736.jpg" width="620" height="413" alt="A photograph of a serious-looking black man wearing a suit. He has a heavy moustache and wild grey hair" title="Frederick Douglass, former US ambassador to Haiti, argued against unfounded claims about the nation (Image by Getty Images)" />
<p>In the Victorian age, white people on both sides of the Atlantic ignored the vibrant realities of Vodou, dwelling instead on its demonic imagined double: ‘voodoo’. Why were they so keen to defame Haitian religion? Frederick Douglass had the answer. “Haiti is black,” he declared in Chicago, “and we [Americans] have not yet forgiven Haiti for being black.”</p><p>Between 1791 and 1804, enslaved and free people of colour rose against the French colonial government of Saint-Domingue. The revolution resulted in the abolition of slavery and independence for the colony. Renamed Haiti, it became the world’s only black republic. Desperate to demonstrate that people of African descent were incapable of self-government, white supremacists spent the next century defaming Haiti, presenting it – in the words of Douglass – as a “very hell of horrors”.</p>
<img src="https://images.immediate.co.uk/production/volatile/sites/7/2025/12/webready-9c7ef73-e1765183675345.jpg" width="1500" height="1000" alt="The 1791 uprising in the French colony of Saint-Domingue that ended with the founding of the black-led republic of Haiti in 1804, shown in a later engraving amplifying fears of black violence (Image by Getty Images)" title="The 1791 uprising in the French colony of Saint-Domingue that ended with the founding of the black-led republic of Haiti in 1804, shown in a later engraving amplifying fears of black violence (Image by Getty Images)" />
<p>As the 20th century approached, the idea that the world could be divided into races whose members shared the same essential traits was widely accepted. Thus, to opponents of black freedom in the US, Haitian ‘voodoo’ became proof that, without white control, black Americans would degenerate to savagery. As Douglass reflected, the black American could “never part with his identity and race”, meaning that the denial of Haitian civilisation was a denial of the “possibilities of the negro race generally”.</p><p>This backlash against black freedom explains why ‘voodoo’ first entered the American popular consciousness during the 1860s and 1870s, just as a series of constitutional amendments secured the abolition of slavery, along with the establishment of black citizenship and the enfranchisement of black men. As the author of an 1866 article in the Memphis Appeal proclaimed, ‘voodoo’ was “beginning to take hold among the negroes. Free them from the check which was once held over them, they have unlimited control over their baser passions, and now and then it bursts out, and proves that the worship of their barbaric fathers still runs in the blood of the Americanised negro.”</p><h3 id="deluge-of-discourse-147ec8c9">Deluge of discourse</h3><p>Initially, Americans writing about ‘voodoo’ focused on Louisiana and, particularly, New Orleans. A former French colony, Louisiana had a sizeable French-speaking population well into the 19th century. In the 1790s and early 19th century, this population had been bolstered by the arrival of up to 25,000 refugees from the Haitian Revolution, well over half of whom were enslaved. It is thus unsurprising that a reference to “an African deity called Vaudoo” appeared in a New Orleans newspaper as early as 1820.</p><p>However, from the 1880s onwards, thanks to Spenser St John, attention turned to ‘voodoo’ in Haiti. The press was swiftly saturated with reports depicting the Caribbean republic as a “land of blood” – with articles bearing headlines such as: “Haiti, a Brooding Nightmare of Savagery, Bloodshed, Cannibalism”.</p><p>It is tempting to see this deluge of discourse as a reflection of US imperial designs on Haiti, which it occupied between 1915 and 1934. However, at the turn of the 20th century, Haitian ‘voodoo’ was most often invoked by white-supremacist Democrats who argued that <a href="https://www.historyextra.com/period/20th-century/jim-crow-who-laws-what-usa-when-end/">Jim Crow</a> laws and regulations – which, enacted from the late 19th century, disenfranchised black Americans and enforced their segregation from white people – were necessary to prevent similar savagery at home.</p>
<img src="https://images.immediate.co.uk/production/volatile/sites/7/2025/12/2MBGTXBwebready-75aa63b-e1765183751121.jpg" width="1500" height="1000" alt="A photograph showing a "white only" sign in the window of a bar" title="A white-only bar in Atlanta, 1908. White supremacists used Haitian ‘voodoo’ as a justification for segregationist policies (Image by Alamy)" />
<p>The peak of interest in Haitian ‘voodoo’ coincided with legal efforts to destroy the black vote in the South. Beginning with Mississippi in 1890, and ending with Georgia in 1906, southern legislatures drew up new state constitutions containing a plethora of voting restrictions. These were intended to disenfranchise black Americans without contravening the 15th Amendment of 1870, which made it unconstitutional to deprive the vote on the basis of race. In the halls of Congress, Democrats, including the Mississippi senator Hernando Money, cited the work of St John as supposed proof that the black American was no more than a “veneered savage”. To the architects of Jim Crow, ‘voodoo’ was an ideological weapon.</p><p>Depictions of Haitian ‘voodoo’ worship, a potent brew of sex and violence, helped to sell newspapers in an age of sensationalist journalism. At the same time, they reinforced racist notions that everybody of African descent was inherently bestial, criminal and hypersexual. Depictions of orgiastic worship chimed with the myth that white women were in constant danger of the black ‘beast rapist’, which was used to justify Jim Crow and fuel violence against black Americans.</p><ul><li><strong>Read more | <a href="https://www.historyextra.com/membership/haitian-revolution-rebellion-hispaniola-what-happened-toussaint-louverture/">The Haitian Revolution: the enslaved Africans who rose up against France</a></strong></li></ul><p>In a 1914 speech to Congress, the notoriously racist Mississippi senator James Vardaman made the connection explicit. St John, he claimed, had presented a “disgusting story of the worship of the voodoo and cannibalism, which he says is as common as [black] sexual crimes in the southern states of this republic”.</p><p>Frequently portraying black worshippers as beasts and demons, the language used in depictions of Haitian ‘voodoo’ was dehumanising in the extreme. Written portrayals were sometimes accompanied by lurid illustrations, such as A Voodoo Sacrifice, published in the <em>Los Angeles Herald</em> in 1905. A depiction of child sacrifice, the illustration included a worshipper with grotesquely ape-like features as well as a reptilian figure fixing the newspaper reader with an accusatory gaze, suggesting that she or he was an unwelcome witness to secret black rites.</p>
<img src="https://images.immediate.co.uk/production/volatile/sites/7/2025/12/GettyImages-1426141403webready-352c952-e1765183778614.jpg" width="1500" height="1000" alt="A black and white photograph of a white man, wearing a white shirt and black cowboy hat, looking towards the right" title="Mississippi senator James Vardaman, who in 1914 told Congress that in Haiti “cannibalism… is as common as [black] sexual crimes in the southern states of this republic” (Image by Getty Images)" />
<h3 id="fears-of-black-resistance-c2e97eeb">Fears of black resistance</h3><p>While ostensibly justifying Jim Crow, American depictions of Haitian Vodou betrayed acute white fears of black resistance. African-derived spiritual beliefs and practices played a part in almost every slave uprising in North America and the Caribbean. In 1822, protective charms were allegedly distributed among those involved in South Carolina’s Denmark Vesey conspiracy, named after a free black man convicted of planning a major uprising of enslaved people. In Jamaica a little over 60 years earlier, the use of similar charms during the massive slave insurrection known as Tacky’s Revolt prompted a British crackdown on Obeah.</p><p>For late 19th-century white Europeans and Americans, however, the dangerous character of black religion was most associated with the Haitian Revolution. By the end of the century, the idea had been enshrined in Haitian mythology that the revolution began with a Vodou ceremony in a forest named Bois-Caïman, during which a pig was sacrificed and a blood oath sworn.</p><p>Though Vodou certainly galvanised the Haitian Revolution, the reality of the Bois-Caïman ceremony has been debated by scholars, some of whom question the sources upon which the story is based.</p><p>White supremacists, however, had no interest in questions of historical accuracy, instead portraying Vodou as a death cult bent upon the annihilation of the white race. This accusation chimed with the widespread view that political equality in the US would lead to race war. In 1908, the <em>San Antonio Light</em> published what it claimed was a genuine Vodou chant invoking racial extermination, but which was almost certainly the product of a journalist’s fevered imagination.</p><p><em>O-he! Papa Damba!</em></p><p><em>Down with whites and with mulattoes!</em></p><p><em>Burn them, shoot them, drown their women! </em></p><p><em>Help your blacks, your poor black children </em></p><p>Circulated by those seeking to justify Jim Crow, tales of ‘voodoo’ sacrifice and cannibalism were shot through with white anxiety. These sanguinary stories may have facilitated a kind of psychological displacement. In other words, real white violence against African Americans was projected as imaginary black murder in the service of Satan.</p>
<img src="https://images.immediate.co.uk/production/volatile/sites/7/2025/12/AKG9430442webready-9ba2b82-e1765183804180.jpg" width="1500" height="1000" alt="A painting of a group of people seated on the ground of a cemetery, with large black and red trees arching over the top of them" title="A Vodou scene in Haiti, by renowned artist Hector Hyppolite. Lurid reports in US newspapers of ‘voodoo’ ceremonies were cited as proof that white control was necessary to prevent black Americans from degenerating into savagery (Image by AKG)" />
<p>In the turn-of-the-20th-century South, racial violence assumed unimaginable dimensions in the form of spectacle lynching: black Americans were tortured and murdered before white crowds that could number in the thousands. According to statistics compiled by the NAACP (the civil rights organisation founded in 1909 as the National Association for the Advancement of Colored People), at least 1,902 black Americans were lynched between 1890 and 1910. The affinities between these all-too-real rituals and fictional ‘voodoo’ ceremonies seem more than superficial, especially if we note – as many historians have – the religious symbolism and sacrificial dimensions of spectacle lynching.</p><ul><li><strong>Read more | <a href="https://www.historyextra.com/membership/suing-for-equality-how-sarah-mae-flemming-began-the-legal-fight-against-segregation/">Suing for equality: how Sarah Mae Flemming began the legal fight against segregation</a></strong></li></ul><p>This reign of racial terror troubled many white people, undermining their sense that they stood at the summit of human civilisation. Condemning the 1904 lynching of Luther Holbert of Mississippi, one newspaper editor wrote that “[t]he negroes, in their most bestial state of voodooism, could be guilty of nothing more savage and brutal.” The editor’s conclusion deliberately inverted the racist language of Democratic politicians such as Hernando Money. “The white man is given to much boasting,” that journalist reflected, “but in many instances he is but a thinly veneered savage.”</p><p>‘Voodoo’ gripped the public imagination because, while fuelling the violence upon which Jim Crow was built, it allowed many white Americans to imagine that it was not themselves but others who lived in a “land of blood”.</p><p><strong>David G Cox</strong> is a lecturer in modern American history at the University of Southampton. His research for this article was supported by a British Academy Mid-Career Fellowship</p><p><strong>This article was first published in the December 2025 issue of <a href="https://www.historyextra.com/bbc-history-magazine/"><em>BBC History Magazine</em></a></strong></p>
