Michael Brook has collaborated with some of the most influential filmmakers and musicians of the last 40 years without ever threatening to become a household name. When I spoke to the inventor and composer last month at the Warsaw Film Festival, I asked if he valued the recognition of awards bodies, to which he explained with typical candor that “almost everything I do is not the kind of thing that the Academy is interested in, and that’s fine.” Brook got his first break in 1984 when he convinced Brian Eno, then a customer in the Toronto video lab where he […]
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