In Rita Azevedo Gomes’ cinematic universe, a characteristic blend of literary adaptation and cinematic innovation creates simultaneously concrete and oneiric landscapes—places where the wandering subject, camera, plot and spectator become absorbed by the unknown, yet strangely familiar, territory before them. With Fuck the Polis, her most bold and daring film to date, the Portuguese filmmaker continues her cinematographic explorations of word, image, time and human emotions. Making its world premiere at FIDMarseille 2025, Polis follows Irma, who around twenty years ago, believing herself condemned, traveled to Greece. She now retraces that journey, moving from island to island in what becomes […]
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