Since changing its official name from Festival International du Documentaire de Marseille to Festival International de Cinéma de Marseille, FIDMarseille has become a significant premiere-driven industry festival dedicated to the expansive genre of “creative nonfiction” to include experimental, hybrid and essayistic works, often with a political ethos. For its 36th edition, FID reaffirmed its rare outspokenness on Palestine by screening To Gaza (2025) and hosting daily morning screenings of the collective work Some Strings. Through retrospectives of Radu Jude and Chilean duo Carolina Adriazola and José Luis Sepúlveda, the festival also seemed intent on signaling that it is not only […]
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