From Half Nelson to Whiplash, Bottle Rocket to Short Term 12, making a short film as a feature proof-of-concept has been a time-tested independent film strategy to generate screenplay interest and secure feature financing. But, in the past, the “proof-of-concept” part of a short’s identity is usually hidden to audiences, revealed only by the filmmakers as they then circulate their screenplays and pitch decks. More recently, though, the proof-of-concept short has come into its own as a sub-genre worthy of its own consideration and showcase. Currently in the middle of its three-day third edition is the American Cinematheque’s PROOF Film […]
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