“To tell you the truth, I was actually quite scared about making a documentary.” It’s a luminous morning in early September and Lucrecia Martel is chewing mate leaves in the restaurant room of a hotel a stone’s throw away from the Adriatic. Her latest, Landmarks, is her first nonfiction work, but to insist on the apparent break from the rest of her oeuvre feels misleading. A chronicle of the trial for the 2009 murder of Javier Chocobar—a member of the indigenous Chuschagasta community killed by a white landowner and two former cops in Tucumán, Argentina—the film still speaks to her […]
Source
