Let’s talk about abstraction. At a concert titled ‘Quantum Percussion’, part of Warsaw Autumn’s ‘Hashtag Lab’ series, Oriol Pares‘ Plateaux II received its first performance. Using something akin to pens on flat plates (the titular plateaux, i assume), wielded by Bartłomiej Sutt, its sonic effect was an interplay of pitch,…
The post Warsaw Autumn 2025 (Part 2) appeared first on 5:4.
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